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GUIDANCE FOR PHOTOGRAPHING
HISTORIC RESOURCES


TABLE OF CONTENTS

Title Page

INTRODUCTION: SCOPE OF GUIDANCE

1) PHOTOGRAPHING AN HISTORIC PROPERTY

1a) The Photographic Essentials

  • Perspective and Elevation Photographs

  • Required Camera Type

  • Camera Handling

  • Film

  • Light

  • Developing a "Shoot List"

2) LEVELS OF PHOTO DOCUMENTATION

  • The Minimum Level of Photographic Documentation

  • The Basic Level of Photographic Documentation

  • The Expanded Level of Photographic Documentation

3) NATIONAL REGISTER CRITERIA FOR INTEGRITY  

4) OPERATING POST-DISASTER

4) HEALTH AND SAFETY

5) SUPPLEMENT: CASE STUDIES

6) FOOTNOTES

 

GUIDANCE FOR PHOTOGRAPHING

HISTORIC RESOURCES

Prepared for the Federal Emergency Management Agency by David L. Ames, Center for Historic Architecture and Design, University of Delaware, 2001
Modified and edited for the web by Randolph Langenbach, FEMA, 2004.

     The printed form of this publication was produced by FEMA to help inspectors, advocates and owners of heritage properties do adequate photo documentation under what is often emergency conditions.  The information given here explains a process that is specific to a post-disaster situation, and thus a time when many compromises need to be made.  The kind of photo documentation undertaken by HABS/HAER is to a higher standard in terms of equipment, film and processing than much of what is discussed here, but this is based on gaining good quality documentation when large format photographs are simply not possible.

After it was written, digital photographs have become increasingly popular.  Digital photography is only beginning to be accessed into the Library of Congress, and are not yet considered to be archival, but they are very helpful in that they can be electronically merged into reports, and their imbedded data can be made to even carry identifying information about the subject.  Perhaps the ideal solution at present is to take silver halide (film-based) photographs, and have the film scanned at a reasonably fine resolution when it is processed.  Then both media are available, and conservation of the image long term is improved by having the extra redundancy.

R.L. 2004

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FEMA GUIDANCE FOR PHOTOGRAPHING HISTORIC PROPERTIES