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GUIDANCE FOR PHOTOGRAPHING
HISTORIC RESOURCES


TABLE OF CONTENTS

Title Page

INTRODUCTION: SCOPE OF GUIDANCE

1) PHOTOGRAPHING AN HISTORIC PROPERTY

1a) The Photographic Essentials

  • Perspective and Elevation Photographs

  • Required Camera Type

  • Camera Handling

  • Film

  • Light

  • Developing a "Shoot List"

2) LEVELS OF PHOTO DOCUMENTATION

  • The Minimum Level of Photographic Documentation

  • The Basic Level of Photographic Documentation

  • The Expanded Level of Photographic Documentation

3) NATIONAL REGISTER CRITERIA FOR INTEGRITY  

4) OPERATING POST-DISASTER

4) HEALTH AND SAFETY

5) SUPPLEMENT: CASE STUDIES

6) FOOTNOTES

 

        

2) THREE FEMA LEVELS OF PHOTOGRAPHIC DOCUMENTATION OF HISTORIC RESOURCES

 

      There are three levels of FEMA photographic documentation. The minimum level is the minimum number of photographs needed to record a three-dimensional built form. The basic level is the type and number of photographs needed to record as much information in as few images as possible. (This is also the basic sequence for HABS/HAER documentation) and the expanded level is the type and number of photographs needed to make a complete evaluation of integrity. 

      
                       

  • The Minimum Level of Photographic Documentation

      At a minimum, two perspective photographs are required to document a building or structure.  These include 1) a photograph showing the front and one side of the building and 2) a second photograph showing the rear and the other side of the building. These two photographs document all four sides of a building.

       When framing the building in the viewfinder, ensure that the entire building is visible including the point where the building meets the ground and the peak of the roof or chimney. Although this sounds obvious, beginning photographers are often seduced by buildings and attracted by interesting details such as carpenter-cut jigsaw porches, pointed Gothic windows, and Greek revival columns. Unfortunately, the resulting pictures sometimes fail to record a view showing the entire structure. To avoid this problem, include the surroundings of the building, its site, and landscape context. As the subject of the photograph, the building should occupy about 75 percent of the picture area, leaving the surrounding 25 percent of the frame for visual information about the context of the building. A third photograph showing a detail of materials, craftsmanship or design is also useful.

              However, many photographs will be taken in cities and towns where the buildings are at high densities along streets and it is not possible to get a rear perspective. In this situation, the second photograph should be an elevation and a third might be an important architectural detail.              

          

  • The Basic Level of Photographic Documentation

      The most widely recognized guidelines for photographically documenting historic resources are those of the Historic American Building Survey and the Historic American Engineering Record (HABS/HAER) of the National Park Service.3  We are using the list of views recommended by HABS/HAER as the basic level of photographic documentation for FEMA purposes.4

       Both exteriors and interiors are photographed for complete documentation. For FEMA, however, the determination of potential eligibility for the National Register will be made primarily on the basis of the integrity of the exterior of the resources so that photography for the initial survey will probably concentrate on the exterior. Integrity decisions are made of the basis of the exterior for two reasons. The first is because the exterior of an historic resource conveys the most information about the aspects of its integrity.

  

  

Secondly, and very practically, because in a response phase you will only have time to document the exterior of a resource and will be taking photographs before interiors have been certified as safe to enter.  The exterior is also important because a resource cannot have lost its integrity on the exterior and still retain overall integrity. In terms of the “design” aspect of integrity, for example, the exterior conveys large-scale characteristics such as overall form and shape as well as small-scale architectural elements like porches and decorative details such as fan windows.  Other aspects of integrity such as “location” and “setting” are exclusively exterior characteristics.  “Feeling”, although manifested throughout a building, is primarily an exterior characteristic. The remaining aspects of integrity of “materials,” “workmanship,” and “association,” are essential aspects of the exterior. Consequently, although interior photographs are needed for a thorough evaluation of integrity, a set of good exterior photographs will provide enough information to make an initial evaluation of integrity.

     

    Based on HABS guidelines, FEMA considers the following views of the exterior essential for architectural structures:

1. General view at a distance sufficient to show environmental setting, landscaping and adjacent buildings, if appropriate

2. Elevation of front façade

3. Perspective view of the front façade and one side;

4. Perspective view of the rear and one side

5. Close up view of the main entrance

      Damage to the structure caused by the natural disaster should be evident as part of these views. If you do move in to shoot details of damaged areas, be sure to show how the damage relates to the overall building.

              If the interior is documented, the following views should the taken:

1. A view from the main entrance looking to the interior of the building. 

2. Views of major spaces/rooms including important features such fireplace or mantle (for large spaces such as sanctuaries, factories or barns take diagonal views from opposite corners)

3. Other significant rooms or features as considered relevant to documenting the structure.

       Since you will be working under intense time pressure with FEMA – to document as many buildings as quickly as possible – you should approach each structure with this checklist in your mind (of the five basic exterior views and three basic interior views) and be sure to photograph them. Later, if you have time, you can take additional photographs of architectural elements or damage. You should also discuss with the survey director or Historic Preservation Specialist the types of additional photographs that may be useful.

  • When to Expand the Basic Level of Documentation

      You should determine whether to expand this basic level of documentation depending on the nature of the structure being photographed and what needs to be documented. For example, two perspective photographs work best on square or rectangular structures with four outside walls. A structure of more complex shape, with more outside walls, such as C-shaped building, will require more perspectives to insure that all of the walls are included in at least one photograph. In the following sections on eligibility and integrity recommendations will be made for additional photographs. The expanded schedule of photographs outlined next is a guideline for how to increase the number of photographs beyond the FEMA Basic Documentation, as needed.

  • The Expanded Level of Photographic Documentation

       In doing the walk-around to become familiar with the physical characteristics of a historic property, you also need to evaluate the physical damage – where it is and how extensive it is. You should plan your photography to include both the most damaged part of the building and the part that remains most intact.  In order to accomplish this you may need to expand the number of photographs in the FEMA basic guidance. For example, the circular motion of hurricane damage can be so tight that it will take off one corner off of a building while leaving the rest intact. You should try to photograph important features of a building if they have been blown off from wind damage, but still remain partially intact.

      Although we will discuss the documentation of aspects of integrity by type of view below, the organization of views at this expanded level are from views of the overall building to the closer views of architectural elements and details moving in a counterclockwise fashion. (As indicated, this is the sequence for detailed HABS/HAER coverage).  Each side of the property is photographed from the overall view, such as elevation, to detailed views in the zoom lens manner of looking at a property as discussed above. For documenting integrity, this sequence specifies an approach that can be varied depending on the complexity of the building.

  • Environmental

1. Environmental view of the front and right side (looking at property from front) (FEMA Basic)

2. Environmental view of the rear and right side

  • Perspective

3. Perspective view of front and right side (FEMA Basic)

4. Perspective view of rear and left side (FEMA Basic)

  • Front side

5. Elevation of front façade

6. Elevation or perspective of front entrance (FEMA Basic)

7. Perspective or elevation views of architectural elements such as porches or windows

8. Details of materials and/or decoration

  • Right side

9. Elevation of front façade  (FEMA Basic)

10. Perspective or elevation views of architectural elements such as porches or windows

11. Details of materials and/or decoration

  • Rear

12. Elevation of rear

13. Perspective or elevation views of architectural elements such as porches or windows

14. Details of materials, hardware and/or decoration

  • Left side

15. Elevation of left side

16. Perspective or elevation views of architectural elements such as porches or windows

17. Details of materials, hardware, and/or decoration

Remember, however, that these are guidelines to be modified depending on the building, or structure, and its environment.

  • “Working a property:” Organizing Documentation with a “Shoot List”

       It is essential to organize your documentation according to the FEMA guidance levels and maintain a list of captions of your photographic or digital images. HABS/HAER requires a photo index in which exterior photographs should be listed in the same counterclockwise sequence in which the photographs were taken.

        Since the final photo index will be organized this way, it makes sense to organize your preliminary “shoot” list in this same manner. A “shoot list” is the list of photographs you plan to take after you have surveyed the building making the circular walk on the outside and walking though it. When doing more than the minimum two-shot documentation, it critical to plan your photographs for three reasons: after you start you can easily forget what you have photographed; once you start shooting you will see views you had not anticipated; and it is the basis for your index and description of views.

 


Continue with 3) NATIONAL REGISTER CRITERIA FOR INTEGRITY  

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FEMA GUIDANCE FOR PHOTOGRAPHING HISTORIC PROPERTIES